Communications Strategy. Along with the announcement of the comic strip, we organized for small “town hall” events where people could chat with our iMMAP program leaders and/or the cartoonist to talk about their process, what they knew about the situation in Afghanistan, and other things they knew.
Most of the time when people write email newsletters, they freeze as they sit in front of their computer screen. Their writing gets stilted and jargony. (It happens to me, too.) 🙂
When this happens to me, I believe it is because I do not have a clear image of what I want to accomplish with my communiqué.
A friend of mine — an executive coach — who was pulling together a leadership workshop in Zurich, turned to me for a little editing assistance.
But as she talked to me some more about her idea, I began to consult with her on using the email as an opportunity to develop a better understanding around her communications strategy.
Why does what I do matter to the people I’m reaching out to?
We defined her primary audience for this workshop as people who were already familiar with her work: current and past clients, or people connected to clients (referrals). These are people who are willing to invest the time and resources to work on their own growth — to optimize their leadership situation. Because the bottom line is: people don’t relate to “businesses” as such, they relate with the people that build those businesses. (In the case of brands, they relate with what those brands personify.)
Our main goal was to make sure the email represented my friend (and therefore her business) The email was only the first step in what has grown into a clear path. Today, I can see how our conversations about communications strategy has anchored all her materials with images and language that reflect her business authentically. (Check out her website and see how she uses images symbolizing height and depth to communicate her areas of coaching speciality.)
Tactics Rooted in Strategy
First, we used an email management tool (MailChimp) so we could create an email piece that would reflect her professionalism and also provide valuable information about how her contacts engaged with her material. We wanted her contacts to not only:
learn about the workshop, including time, date, and location,
understand how such a workshop would address their problems and fulfil their needs, but also to
have all the details right at their fingertips. (They could download important sign-up forms, or share with other friends and contacts, or send an email by simply clicking a button.)
Understanding how people engage
More importantly, on the backend of the mailer she could see how people engaged with the material. And engage they did. Yes, some people clicked on a hyperlink or a photo, but several people actually took the time to write emails… to her personally.
Several people emailed her with their own experiences of rising to a leadership position and feeling disconnected with their teams and coworkers. They were providing her with important insight about what issues they wanted to address. They were reaching out to her for two-way communication.
They were demonstrating they felt her email missive reached out to them directly.
It’s no secret that photographs are extremely effective communications pieces. I knew that my client enjoyed snapshot photography. We found some of her photographs that symbolized some of the problems we were addressing (“Lonely at the top”?), as well as the solution to that problem (an image of my friend among a group of friends on a ski slope).
In the end, we had developed an emailer we both felt authentically represented who she was and what she offered.
And that’s what marketing communications is really about — it’s stepping away from the mask of jargon and presenting oneself clearly and authentically.
I wrote all the copy and developed the concept for this multi-fold, bang-tail brochure. Akaku: Maui Community Media needed something that could explain the concept behind the organization — not only as a television station, but as a community resource. The “bang-tail” is a perforated, self-gluing mailer that you can tear off, and insert your check-donation into.
We were also launching the freshly-designed blog website around the time of the printing of this brochure — so we wanted to feature the website address prominently.
This was one of my first big projects for Akaku. The brochure was released in 2008, if I remember correctly.
Designer: Robert Glick of Glick Design. We also arranged a photo shoot to get some of the great photography.
When I first walked into Akaku’s main reception area in Kahului, I had to blink a few times to adjust to the change in lights. I was wearing a button-down shirt, heels and black slacks, everyone inside was wearing flip-flops and T-shirts. As I introduced myself to a smiling receptionist, who I later learned was Tia, a portly man with a bounce in his step came charging out from behind a windowed door. I soon learned that he would be my boss: Jay April — a mercurial personality who had a great vision for establishing surer footing for a limping television station.
As soon as I started working there in 2007, Jay and I began strategizing on a campaign to square the TV station’s footing in its local community, on a state level, and even nationally among other community access TV stations. We focused our work — and rallied the staff — around three approaches to “make our channels look good”.
Produce Content that Looks/Is Good. Akaku launched “The Maui Daily“. Show production was really in Jay’s and other people’s purview. My job was to build a drumbeat of awareness around the program — that it was a daily “community news show”.
I also worked with the team to shape stories around important events. There were a few moments requiring public activism where Akaku could shine — not only as a C-Span for airing public debates, but also as a news station for bringing opposing voices into the studio to frame the debate in context. Members of the public could have the opportunity to appear as polished as an elected politician on the soapbox.
Branding. Right before I began working there, Akaku had just had a new logo designed. I made it my religion to make sure it appeared everywhere (and that the old logo would go the way of the caveman).
Redefine the Concept of “Channels”. Akaku was more than just channels 52, 53 and 54 in Maui county homes. They were Maui residents’ channels — a social and cultural “green space”, as Jay often referred to them, for play and politics, experimentation and representation. My job was to identify and document the activities of the station in a newsworthy way, as well as to ensure that messages were broadcast in all channels besides Akaku’s three community access channels. Activities included:
Print media outreach. Usually, this would be in the form of writing press releases. I also worked to develop relationships with the press when they (and we) were not under the squeeze of deadlines. We invited press to share their experiences with the community through media salons and such.
Email newsletter communications, which involved email list cultivation and management.
Website Development. With the threat of the television channels being shut down, we had to develop a way to ensure that people still had access to their right to free speech. Developing a website that reflected the vibrant and dynamic content that the community contributed to its channels was our main focus. This meant, one of my jobs was to keep up with the pace of content development, so there was always something new on the website. (Anybody who has managed a blog knows how tough that can be!)
Build Stronger Relationships with Our Audiences. Whether you’re in television or in any other sector, relationship-building is an involved process of communication (the two-way kind). We did all sorts of things to develop and grow our relationships with all sorts of strategic audiences. I will write about another time.
For the next few years, I worked with Akaku on countless projects — as an in-house communications director, and also as a consultant. It’s thrilling to see how Akaku has grown from a dusty, side-road “vanity-TV” community channel, to a vibrant, digital “central park” for Maui’s communities to engage with each other.
I am proud to have had a hand in Akaku’s growth. I feel that in those years, I not only enjoyed the privilege of lending a professionalism to the organization, but I also learned how to wear flip-flops and T-shirts with style.
Sixteen-page Annual Report to communicate this international humanitarian aid organization’s multiple programs around the world. We decided on an document that could be posted in the regular mail and wouldn’t be too bulky. The size for this report was a regular US-letter-size folded in half. This 2004 Annual Report was delivered on-budget and on-deadline in July 2005. (I had begun working for VVAF in May 2005.)
Concept and Copy Development: Cynthia T. Luna
Photography & Design: Researched in company’s files. I vetted all permissions for the designer. (Unfortunately, I can’t remember who the designer for this project was — he also helped on a few other design projects the VVAF and The Justice Project.)